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Albrecht Durer
The Great Piece of Turf
mk176
1503
16x12
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Albrecht Durer
Adam and Eves
mk186
around 1507
Madrids Museo del Prado
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Albrecht Durer
The four horseman
mk178
1498
woodcuts
39.4x28.1cm
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Albrecht Durer
Knight death and devil
mk178
1513 copper stings 24.6x18.9cm
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Albrecht Durer
Combined Coat-of-Arms of the Tucher and Rieter Families
1499
Oil on panel,
28 x 24 cm
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Albrecht Durer
The Seven Sorrows of the Virgin
c. 1496
Oil on panel,
109 x 43 cm
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Albrecht Durer
Portrait of St Sebastian with an Arrow
c. 1499
Oil on panel,
52 x 40 cm
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Albrecht Durer
Job and His Wife
c. 1504
Oil on panel,
94 x 51 cm
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Albrecht Durer
Two Musicians
c. 1504
Oil on panel,
94 x 51 cm
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Albrecht Durer
The Suicide of Lucrezia
1518
Oil on lime panel,
168 x 74,8 cm
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Albrecht Durer
Madonna of the Pear
1512
Oil on wood,
49 x 37 cm
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Albrecht Durer
Emperor Charlemagne and Emperor Sigismund
c. 1512
Oil and tempera on panel,
215 x 115 cm
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Albrecht Durer
Emperor Sigismund
c. 1512
Oil on lindenwood,
187,7 x 87,5 cm
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Albrecht Durer
The Virgin Mary in Prayer
1518
Oil on lindenwood,
53 x 43 cm
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Albrecht Durer
The Madonna of the Carnation
1516
Parchment on pine,
36 x 25 cm
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Albrecht Durer
Paumgartner Altar
c. 1503
Oil on lime panel,
151 x 61 cm
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Albrecht Durer
Paumgartner Altar
c. 1503
Oil on lime panel,
155 x 126 cm
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Albrecht Durer
Paumgartner Altar
c. 1503
Oil on lime panel Alte Pinakothek
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Albrecht Durer
St Anne with the Virgin and Child
1519
Oil and tempera on canvas
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Albrecht Durer
Jakob Fugger
the Wealthy
1518-20
Tempera on canvas,
69,4 x 53 cm
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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